{"id":617,"date":"2026-04-30T08:00:00","date_gmt":"2026-04-30T00:00:00","guid":{"rendered":"https:\/\/hosting.wavpub.cn\/whyforjazz\/?p=617"},"modified":"2026-05-15T14:08:22","modified_gmt":"2026-05-15T06:08:22","slug":"e106-%e7%88%b5%e5%a3%ab%e4%b9%90%e8%82%b2%e5%84%bf%e6%8c%87%e5%8d%97","status":"publish","type":"post","link":"https:\/\/hosting.wavpub.cn\/whyforjazz\/2026\/04\/30\/e106-%e7%88%b5%e5%a3%ab%e4%b9%90%e8%82%b2%e5%84%bf%e6%8c%87%e5%8d%97\/","title":{"rendered":"E106: \u7235\u58eb\u4e50\u80b2\u513f\u6307\u5357"},"content":{"rendered":"\n


\u5927\u5bb6\u90fd\u77e5\u9053\uff0c\u542c\u7235\u58eb\u4e50\u548c\u7814\u7a76\u7235\u58eb\u4e50\u662f\u6211\u7684\u4e00\u5927\u7231\u597d\u4e4b\u4e00\u3002\u5728\u6709\u4e86\u5973\u513f\u4e4b\u540e\uff0c\u7422\u78e8\u5973\u513f\u7684\u6559\u80b2\u95ee\u9898\u4e5f\u6210\u4e86\u6211\u7684\u53e6\u4e00\u5927\u7231\u597d\u3002\u800c\u5982\u4eca\uff0c\u6211\u5c06\u4e24\u4e2a\u7231\u597d\u7ed3\u5408\u5728\u4e00\u8d77\uff0c\u501f\u52a9AI\uff08ChatGPT \u548c Gemini\uff09\uff0c\u53d1\u5c55\u51fa\u4e86\u4e00\u5957\u7235\u58eb\u4e50\u80b2\u513f\u6307\u5357\u3002\u8fd9\u662f\u636e\u6211\u6240\u77e5\uff0c\u5168\u56fd\uff0c\u4e43\u81f3\u5168\u4e16\u754c\uff0c\u7b2c\u4e00\u4efd\u7235\u58eb\u4e50\u80b2\u513f\u6307\u5357\uff0c\u656c\u8bf7\u6536\u542c\u3002<\/p>\n\n\n\n

\u8282\u76ee\u6700\u540e Tutti \u8ddf\u5973\u513f\u4e00\u8d77\u8df3\u821e\u7684\u89c6\u9891\u3002<\/a><\/p>\n\n\n\n

\u4eca\u5e74\u5341\u4e00\u5047\u671f\uff0cWhy for Jazz \u8054\u5408 SEAIC \u6cd5\u56fd\u4e2d\u6b27\u827a\u672f\u521b\u65b0\u4e2d\u5fc3\u53d1\u8d77\u4e86\u4e00\u4e2a\u9488\u5bf9\u5df4\u9ece\u548c\u6ce2\u5c14\u591a\u7684\u6cd5\u56fd\u65c5\u884c\u56e2<\/a>\u3002\u6211\u5c06\u4e0e\u5efa\u7b51\u827a\u672f\u5b66\u8005\uff0c\u6211\u7684\u592a\u592a Tutti <\/strong>\u8054\u5408\u5e26\u961f\uff0c\u6df1\u5165\u6cd5\u56fd\uff0c\u5f00\u542f\u4e00\u8d9f\u6c89\u6d78\u5f0f\u7684\u4ee5\u7235\u58eb\u4e50\uff0c\u5efa\u7b51\uff0c\u7ea2\u9152\u548c\u6587\u5316\u5b66\u4e60\u4ea4\u6d41\u4e3a\u4e3b\u7ebf\u7684\u5168\u666f\u4e4b\u65c5\u3002\u65c5\u884c\u56e2\u5373\u53ef\u5f00\u59cb\u62a5\u540d\uff0c\u8ba1\u5212\u62db\u52df15\u4f4d\u540c\u884c\u8005\u3002\u6709\u5174\u8da3\u7684\u670b\u53cb\u53ef\u4ee5\u70b9\u51fb\u4e0a\u9762\u94fe\u63a5\uff0c\u6216\u76f4\u63a5\u6dfb\u52a0\u4e0b\u9762\u4e8c\u7ef4\u7801\u8fdb\u884c\u54a8\u8be2\u3002\u671f\u5f85\u5341\u4e00\u76f8\u89c1\u3002<\/p>\n\n\n\n

\"\"
\u626b\u7801\u5f00\u542f\u6cd5\u56fd\u4e4b\u65c5<\/figcaption><\/figure><\/div>\n\n\n\n

Playlist of the Show:<\/p>\n\n\n\n

[23:09] What’d I Say – Ray Charles<\/p>\n\n\n\n

[26:30] Early Summer – Ryo Fukui<\/p>\n\n\n\n

[28:52] Hymn to Freedom – Oscar Peterson<\/p>\n\n\n\n

<\/p>\n\n\n\n

AI\u5efa\u8bae\u7684\u7235\u58eb\u4e50\u80b2\u513f\u6b4c\u5355\uff0820\u6708\u9f84-36\u6708\u9f84\uff09<\/strong><\/p>\n\n\n\n

20\u4e2a\u6708\uff1a\u9ad8\u4fdd\u771f\u94a2\u7434\u89e6\u952e\uff08\u7269\u7406\u5efa\u6a21\u671f\uff09<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a <\/strong>Midnight Sugar (\u5c71\u672c\u521a), C-Jam Blues (Red Garland), Linus and Lucy (Vince Guaraldi), Bag’s Groove (MJQ)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a <\/strong>20\u4e2a\u6708\u7684\u5b69\u5b50\uff0c\u5185\u8033\u8033\u8717\u7684**\u97f3\u8c03\u6620\u5c04<\/strong>\uff08Tonotopic map\uff09**\u6b63\u5728\u8fdb\u884c\u6700\u540e\u7684\u7269\u7406\u5fae\u8c03\u3002\u5c71\u672c\u521a\u8fd9\u7c7b\u94a2\u7434\u5f55\u97f3\u62e5\u6709\u6781\u9ad8\u7684\u201c\u77ac\u6001\u54cd\u5e94<\/strong>\uff08Transients\uff09\u201d\uff0c\u6bcf\u4e00\u4e2a\u97f3\u7b26\u7684\u8d77\u59cb\u6781\u5176\u6e05\u6670\u3002\u8fd9\u79cd\u201c\u5e72\u51c0\u201d\u7684\u58f0\u97f3\u4fe1\u53f7\u80fd\u6700\u5927\u7a0b\u5ea6\u51cf\u5c11\u542c\u89c9\u7cfb\u7edf\u89e3\u7801\u7684\u566a\u97f3\uff0c\u5e2e\u52a9\u5927\u8111\u5efa\u7acb\u201c\u94a2\u7434\u201d\u8fd9\u79cd\u590d\u6742\u97f3\u8272\u7684\u9ad8\u8d28\u91cf\u7edf\u8ba1\u6a21\u578b\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u5c55\u5fc3\u7406\u5b66\uff1a <\/strong>\u6b64\u65f6\u5b69\u5b50\u5904\u4e8e\u611f\u77e5\u8fd0\u52a8\u9636\u6bb5<\/strong>\u7684\u5c3e\u58f0\uff0c\u901a\u8fc7\u201c\u6572\u51fb\u201d\u4ea7\u751f\u7684\u58f0\u97f3\u6700\u80fd\u5438\u5f15\u5176\u6ce8\u610f\u529b\u3002\u94a2\u7434\u7684\u6253\u51fb\u4e50\u5c5e\u6027\u6700\u80fd\u5f15\u8d77\u8fd9\u79cd\u56e0\u679c\u5173\u7cfb\u7684\u5171\u9e23\u3002<\/p>\n\n\n\n

21\u4e2a\u6708\uff1a\u884c\u8d70\u8d1d\u65af\u4e0e\u524d\u5ead\u7cfb\u7edf\u5e73\u8861<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Work Song (Nat Adderley) 2. Killer Joe (Benny Golson) 3. Blues in the Closet (Bud Powell) 4. Strollin’ (Horace Silver)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u8fd9\u4e00\u7ec4\u66f2\u76ee\u5f3a\u8c03 Walking Bass\uff08\u884c\u8d70\u8d1d\u65af\uff09<\/strong>\u3002\u7a33\u5b9a\u7684\u3001\u5982\u540c\u5fc3\u8df3\u822c\u7684\u4f4e\u97f3\u63d0\u7434\u62e8\u594f\uff08Quarter-note pulse\uff09\u80fd\u76f4\u63a5\u6fc0\u6d3b\u57fa\u5e95\u795e\u7ecf\u8282<\/strong>\uff0c\u8fd9\u662f\u4eba\u7c7b\u5904\u7406\u8282\u594f\u4e0e\u8fd0\u52a8\u63a7\u5236\u7684\u6838\u5fc3\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> 21\u4e2a\u6708\u7684\u5b69\u5b50\u6b63\u5904\u4e8e\u8d70\u8def\u91cd\u5fc3\u4ece\u6447\u6643\u8d8b\u5411\u5e73\u7a33\u7684\u9636\u6bb5\u3002\u8fd9\u79cd\u7a33\u5b9a\u7684\u4f4e\u9891\u9a71\u52a8\u80fd\u4e0e\u5979\u7684\u8eab\u4f53\u8fd0\u52a8\u4ea7\u751f\u795e\u7ecf\u5939\u5e26\uff08Entrainment\uff09<\/strong>\uff0c\u901a\u8fc7\u524d\u5ead\u7cfb\u7edf\u611f\u77e5\u91cd\u529b\u4e0e\u8282\u594f\u7684\u91cd\u5408\uff0c\u5efa\u7acb\u8d77\u6700\u65e9\u7684\u201c\u6447\u6446\u611f\uff08Swing Feeling\uff09\u201d\u3002<\/p>\n\n\n\n

22\u4e2a\u6708\uff1a\u786c\u6ce2\u666e\uff08Hard Bop\uff09\u4e0e\u793e\u4ea4\u5bf9\u8bdd\u903b\u8f91<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Moanin’ (Art Blakey) 2. Song for My Father (Horace Silver) 3. The Sidewinder (Lee Morgan) 4. Watermelon Man (Herbie Hancock) 5. What’d I Say (Ray Charles)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u6b64\u65f6\u5b69\u5b50\u6b63\u7ecf\u5386\u8bed\u8a00\u8bcd\u6c47\u91cf\u7684\u6fc0\u589e\uff0c**\u5e03\u7f57\u5361\u533a\uff08Broca’s area\uff09**\u6781\u5ea6\u6d3b\u8dc3\u3002\u8fd9\u4e9b\u66f2\u76ee\u4e2d\u7ecf\u5178\u7684 Call & Response\uff08\u547c\u5524\u4e0e\u56de\u5e94\uff09<\/strong> \u7ed3\u6784\uff0c\u5b8c\u7f8e\u5951\u5408\u4e86\u5927\u8111\u5bf9\u793e\u4ea4\u6027\u6c9f\u901a\u7684\u751f\u7406\u6e34\u671b\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u6b64\u65f6\u5b69\u5b50\u5f00\u59cb\u7406\u89e3\u201c\u8f6e\u6d41\u201d\u7684\u6982\u5ff5\u3002\u901a\u8fc7\u8fd9\u79cd\u97f3\u4e50\u7ed3\u6784\uff0c\u5979\u5728\u65e0\u610f\u8bc6\u4e2d\u7ec3\u4e60\u4e86\u6c9f\u901a\u7684\u8282\u594f\u611f\uff0c\u6fc0\u6d3b\u4e86\u955c\u50cf\u795e\u7ecf\u5143\u7cfb\u7edf<\/strong>\uff0c\u8fd9\u4e0d\u4ec5\u662f\u97f3\u4e50\u542f\u8499\uff0c\u66f4\u662f\u5171\u60c5\u80fd\u529b\u7684\u65e9\u671f\u57f9\u517b\u3002<\/p>\n\n\n\n

23\u4e2a\u6708\uff1aJazz Hip Hop \u4e0e\u6301\u7eed\u6ce8\u610f\u529b\u7684\u6784\u5efa<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Aruarian Dance (Nujabes) 2. Luv(sic) Part 3 (Nujabes) 3. Waltz for Life Will Born (Uyama Hiroto) 4. Feather (Nujabes)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u7a33\u5b9a\u7684 Loop\uff08\u5faa\u73af\uff09\u80fd\u7ed9\u5927\u8111\u63d0\u4f9b\u6781\u5f3a\u7684\u201c\u795e\u7ecf\u5b89\u5168\u6027\u201d\u3002\u5f53\u80cc\u666f\u8282\u594f\u662f\u9ad8\u5ea6\u53ef\u9884\u6d4b\u7684\uff0c\u800c\u4e0a\u5c42\u7684\u94a2\u7434\u5373\u5174\u662f\u6d41\u52a8\u7684\uff0c\u8fd9\u80fd\u8bad\u7ec3**\u524d\u989d\u53f6\u76ae\u5c42\uff08Prefrontal Cortex\uff09**\u5728\u7a33\u5b9a\u7684\u80cc\u666f\u4e2d\u63d0\u53d6\u7ec6\u5fae\u7684\u53d8\u5316\u4fe1\u53f7\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u8fd9\u4e2a\u9636\u6bb5\u5b69\u5b50\u5f00\u59cb\u80fd\u8fdb\u884c\u8f83\u957f\u65f6\u95f4\u7684\u4e13\u6ce8\u6e38\u620f\u3002\u9ad8\u8d28\u91cf\u7684\u5faa\u73af\u4e50\u53e5\u80fd\u964d\u4f4e\u76ae\u8d28\u9187\u6c34\u5e73\uff0c\u5ef6\u957f\u5176**\u6df1\u5ea6\u63a2\u7d22\uff08Deep Play\uff09**\u7684\u65f6\u95f4\u7a97\u53e3\u3002<\/p>\n\n\n\n

24\u4e2a\u6708\uff1a\u5947\u6570\u62cd\u4e0e\u8ba4\u77e5\u5f39\u6027\uff08\u4e24\u5c81\u91cc\u7a0b\u7891\uff09<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Take Five (Dave Brubeck) 2. Unsquare Dance (Dave Brubeck) 3. Blue Rondo \u00e0 la Turk (Dave Brubeck) 4. Eleven Four (Paul Desmond)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u4e24\u5c81\u662f\u7a81\u89e6\u526a\u679d\uff08Synaptic Pruning\uff09\u5267\u70c8\u53d1\u751f\u7684\u8282\u70b9\u3002\u5982\u679c\u6b64\u65f6\u53ea\u542c 4\/4 \u62cd\uff0c\u5927\u8111\u4f1a\u8ba4\u5b9a 5\/4 \u6216 9\/8 \u4e3a\u201c\u4e0d\u53ef\u7406\u89e3\u4fe1\u53f7\u201d\u3002\u8f93\u5165\u5947\u6570\u62cd\u662f\u4e3a\u4e86\u4fdd\u6301\u795e\u7ecf\u7cfb\u7edf\u7684\u8ba4\u77e5\u5f39\u6027\uff08Cognitive Flexibility\uff09<\/strong>\uff0c\u8bad\u7ec3\u5927\u8111\u5728\u4e0d\u5bf9\u79f0\u4e2d\u5bfb\u627e\u66f4\u9ad8\u9636\u7684\u6570\u5b66\u89c4\u5f8b\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u6b64\u9636\u6bb5\u5b69\u5b50\u81ea\u6211\u610f\u8bc6\u89c9\u9192\uff08Terrible Twos\uff09\uff0c\u975e\u5bf9\u79f0\u7684\u8282\u594f\u6b63\u597d\u5951\u5408\u4e86\u8fd9\u79cd\u4e0d\u5b89\u5206\u7684\u63a2\u7d22\u7cbe\u795e\uff0c\u5e2e\u52a9\u5979\u5efa\u7acb\u5bf9\u201c\u4e0d\u5e73\u8861\u201d\u7684\u5fc3\u7406\u5305\u5bb9\u529b\u3002<\/p>\n\n\n\n

\u7b2c\u4e8c\u9636\u6bb5\uff1a\u548c\u58f0\u8272\u5f69\u4e0e\u5ba1\u7f8e\u62d3\u5bbd\uff0825m – 30m\uff09<\/strong><\/h2>\n\n\n\n

\u6838\u5fc3\u76ee\u6807\uff1a<\/strong> \u5f15\u5165\u590d\u6742\u548c\u5f26\uff089, 11, 13\u97f3\uff09\uff0c\u5728\u542c\u89c9\u76ae\u5c42\u5efa\u7acb\u9ad8\u7ef4\u5ea6\u7684\u201c\u7f8e\u5b66\u5750\u6807\u7cfb\u201d\u3002<\/p>\n\n\n\n

25\u4e2a\u6708\uff1a\u4e09\u62cd\u5b50\u7684\u6d41\u4f53\u611f\u77e5\uff08\u7a7a\u95f4\u611f\u77e5\u8fdb\u9636\uff09<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Waltz for Debby (Bill Evans) 2. Bluesette (Toots Thielemans) 3. Alice in Wonderland (Bill Evans) 4. Up with the Lark (Bill Evans)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u4e09\u62cd\u5b50\u4f1a\u5f3a\u70c8\u523a\u6fc0\u5c0f\u8111\u7684\u524d\u5ead\u7cfb\u7edf\u3002Bill Evans \u7684\u201c\u65e0\u6839\u97f3\u548c\u5f26\uff08Rootless Voicings\uff09\u201d\u8ba9\u58f0\u97f3\u542c\u8d77\u6765\u662f\u201c\u60ac\u6d6e\u201d\u7684\u3002\u6839\u636e Robert Zatorre<\/strong> \u7684\u7814\u7a76\uff0c\u8fd9\u79cd\u9ad8\u7ea7\u548c\u58f0\u80fd\u7cbe\u7ec6\u5316\u97f3\u8c03\u6620\u5c04\uff08Tonotopic map\uff09<\/strong>\uff0c\u8bad\u7ec3\u5927\u8111\u4e0d\u4f9d\u8d56\u4f4e\u97f3\u6839\u97f3\u53bb\u5bfb\u627e\u8c03\u6027\u4e2d\u5fc3\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> 3\/4 \u62cd\u7684\u5706\u821e\u66f2\u611f\u80fd\u5e26\u7ed9\u5b69\u5b50\u4f18\u96c5\u3001\u6d41\u52a8\u7684\u611f\u5b98\u4f53\u9a8c\uff0c\u6709\u52a9\u4e8e\u7cbe\u7ec6\u52a8\u4f5c\u7684\u4f18\u96c5\u5316\u53d1\u80b2\u3002<\/p>\n\n\n\n

26\u4e2a\u6708\uff1aBossa Nova \u4e0e\u591a\u7ebf\u4fe1\u53f7\u5904\u7406<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. The Girl from Ipanema (Stan Getz) 2. Wave (Ant\u00f4nio Carlos Jobim) 3. Desafinado (Stan Getz) 4. Corcovado (Cannonball Adderley)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> Bossa Nova \u7684\u5e95\u5c42\u8282\u594f\u662f\u5e73\u76f4\u7684\u516b\u5206\u97f3\u7b26\uff0c\u800c\u4e0a\u5c42\u7235\u58eb\u548c\u5f26\u6781\u5176\u590d\u6742\u3002\u8fd9\u79cd\u77db\u76fe\u611f\u8981\u6c42\u5927\u8111\u8fdb\u884c\u542c\u89c9\u573a\u666f\u89e3\u6784\uff08Auditory Scene Analysis\uff09<\/strong>\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u8fd9\u79cd\u8f7b\u677e\u7684\u6c1b\u56f4\u662f\u8bad\u7ec3\u60c5\u7eea\u8c03\u8282\uff08Emotional Regulation\uff09\u7684\u7edd\u4f73\u5de5\u5177\u3002\u5728\u795e\u7ecf\u79d1\u5b66\u4e0a\uff0c\u5b83\u80fd\u6fc0\u6d3b\u8fb9\u7f18\u7cfb\u7edf\u4e2d\u7684\u6109\u60a6\u4e2d\u67a2\u800c\u4e0d\u4ea7\u751f\u8fc7\u5ea6\u4ea2\u594b\u3002<\/p>\n\n\n\n

27\u4e2a\u6708\uff1a\u8c03\u5f0f\u7235\u58eb\uff08Modal Jazz\uff09\u4e0e\u6df1\u5ea6\u89c2\u5bdf<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. So What (Miles Davis) 2. Maiden Voyage (Herbie Hancock) 3. Little Sunflower (Freddie Hubbard) 4. Flamenco Sketches (Miles Davis)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u8c03\u5f0f\u7235\u58eb\u548c\u5f26\u53d8\u5316\u6781\u6162\u3002\u6839\u636e Bregman<\/strong> \u7684\u7406\u8bba\uff0c\u8fd9\u79cd\u201c\u4f4e\u53d8\u5316\u7387\u201d\u4f1a\u8feb\u4f7f\u5927\u8111\u5c06\u6ce8\u610f\u529b\u8f6c\u5411**\u97f3\u8272\uff08Timbre\uff09**\u7684\u5fae\u89c2\u7eb9\u7406\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u57f9\u517b\u201c\u9759\u8c27\u611f\u201d\u3002\u8fd9\u79cd\u97f3\u4e50\u80fd\u8bad\u7ec3\u5b69\u5b50\u5728\u65e0\u5916\u90e8\u5267\u70c8\u523a\u6fc0\u7684\u73af\u5883\u4e2d\u8fdb\u884c\u5185\u5728\u7684\u6df1\u5ea6\u89c2\u5bdf\uff0c\u662f\u5efa\u7acb\u957f\u65f6\u6ce8\u610f\u529b\u7684\u57fa\u77f3\u3002<\/p>\n\n\n\n

28\u4e2a\u6708\uff1a\u51b7\u7235\u58eb\uff08Cool Jazz\uff09\u4e0e\u8fb9\u7f18\u7cfb\u7edf\u5f00\u53d1<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. My Funny Valentine (Chet Baker) 2. You’d Be So Nice to Come Home To (Art Pepper) 3. Autumn Leaves (Cannonball) 4. Django (MJQ)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u7565\u5e26\u5fe7\u90c1\u3001\u514b\u5236\u7684\u97f3\u8272\u80fd\u6fc0\u6d3b**\u8fb9\u7f18\u7cfb\u7edf\uff08Limbic system\uff09**\u4e2d\u7684\u674f\u4ec1\u6838\u4e0e\u6d77\u9a6c\u4f53\u8fde\u63a5\u3002\u7814\u7a76\u8868\u660e\uff0c\u5e7c\u513f\u80fd\u611f\u77e5\u5230\u97f3\u4e50\u4e2d\u7684\u54c0\u4f24\u60c5\u7eea\uff0c\u8fd9\u80fd\u4e30\u5bcc\u5176\u5927\u8111\u7684\u60c5\u611f\u76ae\u5c42\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> 28\u4e2a\u6708\u7684\u5b69\u5b50\u5f00\u59cb\u840c\u53d1\u521d\u7ea7\u5171\u60c5\u3002\u901a\u8fc7\u7406\u89e3\u97f3\u4e50\u4e2d\u7684\u201c\u5fe7\u90c1\u201d\uff0c\u5979\u5728\u5b66\u4e60\u5904\u7406\u590d\u6742\u7684\u4eba\u7c7b\u60c5\u611f\u3002<\/p>\n\n\n\n

Shutterstock<\/p>\n\n\n\n

29\u4e2a\u6708\uff1aBebop \u4e0e\u795e\u7ecf\u653e\u7535\u9891\u7387\u6311\u6218<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Scrapple from the Apple (Charlie Parker) 2. A Night in Tunisia (Dizzy Gillespie) 3. Donna Lee (Charlie Parker) 4. Salt Peanuts (Dizzy Gillespie)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u6781\u901f\u97f3\u9636\u6311\u6218\u4e86\u542c\u89c9\u795e\u7ecf\u5143\u7684\u653e\u7535\u9891\u7387\uff08Firing Rate\uff09<\/strong>\u3002\u8fd9\u662f\u4e00\u79cd\u795e\u7ecf\u5c42\u9762\u7684\u201c\u9ad8\u5f3a\u5ea6\u95f4\u6b47\u8bad\u7ec3\uff08HIIT\uff09\u201d\uff0c\u65e8\u5728\u63d0\u9ad8\u5927\u8111\u5bf9\u9ad8\u5bc6\u5ea6\u4fe1\u606f\u7684\u5373\u65f6\u5904\u7406\u5e26\u5bbd\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> Bebop \u7684\u591a\u53d8\u4e0e\u7075\u52a8\u5951\u5408\u4e86\u5b69\u5b50\u6b64\u65f6\u7cbe\u529b\u65fa\u76db\u3001\u559c\u6b22\u63a2\u7d22\u4e8b\u7269\u8fb9\u754c\u7684\u884c\u4e3a\u903b\u8f91\u3002<\/p>\n\n\n\n

30\u4e2a\u6708\uff1a\u65e5\u672c\u7235\u58eb – \u53d9\u4e8b\u5efa\u6a21\uff08\u60c5\u611f\u6df1\u5ea6\u671f\uff09<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Early Summer (Ryo Fukui) 2. Scenery (Ryo Fukui) 3. Blow Up (Isao Suzuki) 4. Girl Talk (Tsuyoshi Yamamoto)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> J-Jazz \u5177\u6709\u72ec\u7279\u7684\u65cb\u5f8b\u7ebf\u6761\u300230\u4e2a\u6708\u7684\u5b69\u5b50\u6b63\u81f4\u529b\u4e8e\u5c06\u788e\u7247\u5316\u7684\u4fe1\u606f\u62fc\u51d1\u6210\u6545\u4e8b\uff0c\u6b64\u65f6\u5927\u8111\u7684**\u9ed8\u8ba4\u6a21\u5f0f\u7f51\u7edc\uff08DMN\uff09**\u5f00\u59cb\u5728\u97f3\u4e50\u6b23\u8d4f\u4e2d\u8d77\u4f5c\u7528\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u5efa\u7acb\u6587\u5316\u8ba4\u540c\u611f\u3002\u901a\u8fc7\u8fd9\u4e9b\u5177\u6709\u4e1c\u65b9\u7f8e\u5b66\u8272\u5f69\u7684\u7235\u58eb\u4e50\uff0c\u5979\u5728\u6f5c\u610f\u8bc6\u4e2d\u5b8c\u6210\u4e86\u4e00\u79cd\u5ba1\u7f8e\u7684\u6587\u5316\u5efa\u6784\u3002<\/p>\n\n\n\n

\u7b2c\u4e09\u9636\u6bb5\uff1a\u7ed3\u6784\u89e3\u6784\u4e0e\u5373\u5174\u903b\u8f91\uff0831m – 36m\uff09<\/strong><\/h2>\n\n\n\n

\u6838\u5fc3\u76ee\u6807\uff1a<\/strong> \u8bc6\u522b\u4e3b\u9898\u4e0e\u53d8\u594f\u7684\u8fb9\u754c\uff0c\u57f9\u517b\u957f\u65f6\u8bb0\u5fc6\u4e0e\u5b8f\u89c2\u601d\u7ef4\u6784\u67b6\u3002<\/p>\n\n\n\n

31\u4e2a\u6708\uff1a\u4eba\u58f0\u7235\u58eb\u4e0e\u8bed\u8a00-\u97f3\u4e50\u6865\u6881<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. L-O-V-E (Nat King Cole) 2. Cheek to Cheek (Fitzgerald & Armstrong) 3. Fly Me to the Moon (Sinatra) 4. How High the Moon (Ella Fitzgerald)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> SSIR \u5047\u8bf4\uff08Shared Syntactic Integration Resource\uff09\u6307\u51fa\uff0c\u8bed\u8a00\u4e0e\u97f3\u4e50\u5171\u4eab\u795e\u7ecf\u8d44\u6e90\u3002\u6b64\u65f6\u5229\u7528\u4eba\u58f0\u7235\u58eb\u72ec\u7279\u7684\u97f5\u5f8b\u611f\uff08Prosody\uff09<\/strong>\uff0c\u53ef\u4ee5\u6781\u5927\u5730\u52a0\u901f\u5979\u5bf9\u8bcd\u6c47\u8282\u62cd\u7684\u5185\u5316\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u6a21\u4eff\u662f\u6b64\u9636\u6bb5\u7684\u6838\u5fc3\u3002Scat\uff08\u62df\u58f0\u5531\u6cd5\uff09\u80fd\u953b\u70bc\u5979\u53e3\u8154\u808c\u8089\u7684\u7cbe\u7ec6\u5316\u63a7\u5236\uff0c\u5bf9\u53d1\u97f3\u6e05\u6670\u5ea6\u6709\u663e\u8457\u63d0\u5347\u4f5c\u7528\u3002<\/p>\n\n\n\n

32\u4e2a\u6708\uff1a\u5de5\u4f5c\u8bb0\u5fc6\u4e0e\u201c\u4e3b\u9898\u8ffd\u8e2a\u201d<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. St. Thomas (Sonny Rollins) 2. Moritat (Sonny Rollins) 3. Cantaloop (Us3) 4. Mercy, Mercy, Mercy (Cannonball)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u8bad\u7ec3\u5de5\u4f5c\u8bb0\u5fc6\uff08Working Memory\uff09<\/strong>\u3002\u5927\u8111\u9700\u8981\u8bb0\u4f4f\u5f00\u5934\u7684\u201c\u4e3b\u9898\uff08Hook\uff09\u201d\uff0c\u5e76\u5728\u590d\u6742\u7684\u5373\u5174\u72ec\u594f\u4e2d\uff0c\u4fdd\u6301\u5bf9\u8fd9\u4e2a\u903b\u8f91\u539f\u70b9\u7684\u6f5c\u610f\u8bc6\u8ffd\u8e2a\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u8bad\u7ec3\u89e3\u51b3\u95ee\u9898\u7684\u7b56\u7565\u2014\u2014\u5728\u590d\u6742\u53d8\u5e7b\u7684\u73af\u5883\u4e2d\u5bfb\u627e\u201c\u6052\u5b9a\u70b9\u201d\u3002<\/p>\n\n\n\n

33\u4e2a\u6708\uff1a\u62c9\u4e01\u7235\u58eb\uff08Latin Jazz\uff09\u4e0e\u542c\u89c9\u5206\u6d41<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Mambo Inn (George Shearing) 2. Manteca (Dizzy Gillespie) 3. Afro Blue (Mongo Santamar\u00eda) 4. Tequila (Wes Montgomery)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u62c9\u4e01\u7235\u58eb\u5305\u542b\u5927\u91cf\u7684\u591a\u58f0\u90e8\u6253\u51fb\u4e50\u3002\u6839\u636e Bregman<\/strong> \u7684\u7406\u8bba\uff0c\u8fd9\u8981\u6c42\u5927\u8111\u5b8c\u6210\u6700\u9ad8\u96be\u5ea6\u7684\u6d41\u63d0\u53d6\uff08Stream Segregation\uff09<\/strong>\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u72c2\u6b22\u8282\u822c\u7684\u8282\u594f\u80fd\u91ca\u653e\u5b69\u5b50\u7684\u538b\u529b\uff0c\u589e\u5f3a\u5176\u5728\u8fd0\u52a8\u4e2d\u7684\u7206\u53d1\u529b\u4e0e\u534f\u8c03\u6027\u3002<\/p>\n\n\n\n

34\u4e2a\u6708\uff1a\u73b0\u4ee3\u878d\u5408\uff08Fusion\uff09\u4e0e\u8ba4\u77e5\u5f39\u6027<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Spain (Chick Corea) 2. Birdland (Weather Report) 3. Chameleon (Herbie Hancock) 4. 500 Miles High (Chick Corea)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u5f15\u5165\u975e\u81ea\u7136\u97f3\u8272\uff08\u5408\u6210\u5668\uff09\u3002\u5927\u8111\u9700\u8981\u91cd\u65b0\u8bc6\u522b\u8fd9\u4e9b\u4fe1\u53f7\uff0c\u523a\u6fc0\u8179\u4fa7\u6ce8\u610f\u7f51\u7edc\uff08Ventral Attention Network\uff09<\/strong>\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u57f9\u517b\u5bf9\u65b0\u5947\u4e8b\u7269\u7684\u5305\u5bb9\u5ea6\uff0c\u4e0d\u8ba9\u5176\u542c\u89c9\u5ba1\u7f8e\u56fa\u5316\u5728\u5355\u4e00\u7684\u6728\u8d28\u4e50\u5668\u4e0a\u3002<\/p>\n\n\n\n

35\u4e2a\u6708\uff1a\u6781\u9650\u548c\u58f0\uff08Coltrane Changes\uff09\u7b97\u6cd5\u5efa\u6a21<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Giant Steps (John Coltrane) 2. Naima (John Coltrane) 3. Speak No Evil (Wayne Shorter) 4. Round Midnight (Thelonious Monk)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> Coltrane Changes<\/strong> \u662f\u7235\u58eb\u4e50\u4e2d\u6700\u590d\u6742\u7684\u6570\u5b66\u77e9\u9635\u3002\u6b64\u65f6\u8f93\u5165\u8fd9\u79cd\u6781\u9650\u903b\u8f91\uff0c\u5c31\u50cf\u662f\u5728\u7ed9\u8ba1\u7b97\u673a\u9884\u88c5\u6700\u5f3a\u7684\u7b97\u6cd5\u5e95\u5ea7\uff0c\u6311\u6218\u5176\u5904\u7406\u4fe1\u606f\u7684\u6df1\u5ea6\u3002<\/p>\n\n\n\n

\u25cb \u53d1\u80b2\u5fc3\u7406\u5b66\uff1a<\/strong> \u8bad\u7ec3\u5bf9\u201c\u9ad8\u5f20\u529b\u201d\u7684\u627f\u53d7\u529b\u3002\u5728\u6781\u5ea6\u590d\u6742\u7684\u58f0\u97f3\u4e2d\u5bfb\u627e\u5185\u5728\u5e73\u8861\uff0c\u662f\u57f9\u517b\u672a\u6765\u6f14\u594f\u5bb6\u201c\u5927\u5c06\u4e4b\u98ce\u201d\u7684\u5fc5\u7ecf\u4e4b\u8def\u3002<\/p>\n\n\n\n

36\u4e2a\u6708\uff1a\u81ea\u7531\u5373\u5174\u4e0e\u5168\u7403\u8111\u8fde\u63a5\uff08\u542f\u8499\u5706\u6ee1\uff09<\/strong><\/p>\n\n\n\n

\u25cf \u66f2\u76ee\uff1a<\/strong> 1. Rhapsody in Blue (Gershwin) 2. Hymn to Freedom (Oscar Peterson) 3. The K\u00f6ln Concert (Keith Jarrett) 4. My Favorite Things (Coltrane 1961)<\/p>\n\n\n\n

\u25cf \u6df1\u5ea6\u5206\u6790\uff1a<\/strong><\/p>\n\n\n\n

\u25cb \u8111\u795e\u7ecf\u79d1\u5b66\uff1a<\/strong> \u6fc0\u6d3b\u9ed8\u8ba4\u6a21\u5f0f\u7f51\u7edc\uff08DMN\uff09<\/strong>\u3002\u8fd9\u79cd\u957f\u7bc7\u5e45\u3001\u5927\u8de8\u5ea6\u7684\u81ea\u7531\u5373\u5174\u66f2\u76ee\uff0c\u80fd\u8ba9\u5927\u8111\u5728\u4e0d\u540c\u8111\u533a\u95f4\u5efa\u7acb\u957f\u7a0b\u8fde\u63a5\uff0c\u5b9e\u73b0\u60f3\u8c61\u529b\u4e0e\u81ea\u6211\u610f\u8bc6\u7684\u7edf\u4e00\u3002<\/p>\n\n\n\n

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Podcast: Play in new window<\/a> | Download<\/a><\/p>","protected":false},"excerpt":{"rendered":"

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